The phrase "and the sequence that" is correct and usable in written English.
It can be used when referring to a specific sequence in a discussion or explanation, often in a context involving logic, mathematics, or programming.
Example: "We need to analyze the data set and the sequence that follows the initial conditions to draw accurate conclusions."
Alternatives: "and the series that" or "and the order that".
The program's pièce de résistance — and the sequence that will tell you if you're truly interested in seeing what goes on beneath your skin — is the baby's first solid meal, which is followed from mouth to dirty diaper.
The charcoal drawings of the cartoonist Mark Siegel are appropriately moody, and the sequence that depicts an angry sea king is particularly powerful.
The heart of the film, and the sequence that may cause some true believers to retrieve their hankies, is seeing young Barack rallying the disenfranchised members of the The Gardens, explaining that the way toward any goal is not to hate their adversary, but to try and understand them, and to switch the letters of every bureaucratic "no" into a rally "on".
You obtain them by drinking from custom bottles, and the sequence that plays out after drinking each one is amazing.
Wired.com, X-Play, and GameSpot criticized the game's third-person camera and the sequence that requires the player to make Starkiller pull a Star Destroyer out of the sky.
Melville's crime films are best viewed as a heady combination of seeming realism and extreme stylization, and the sequence that opens "Un Flic" (which got a desultory American release in 1975 as "Dirty Money") is one of his best.
Yet he played all 48 minutes, handled the ball assuredly against a relentless defense, scored an important one-handed jumper late in the fourth quarter and started the sequence that led to Robert Horry's launching of the game's most crucial basket, a 3-pointer that gave the Lakers a 92-86 lead with 47.2 seconds to play.
Three sequences of ATIP3a siRNA were used, and then the sequence that had the best knockdown effect was chosen.
And lo and behold the studio agreed, and we reshot the sequence three weeks later and that's the sequence that's in the film.' Where, I ask Mendes, does that confidence come from?
This is the way the Soviet Union dealt with its critics and the sequences that follow are the stuff of Kafkaesque nightmares, as harrowing as anything in recent cinema.
54, 55 In this work, we used a model structure of a target OR and the sequences that belong to the same subtype as that of the target.
