From the "Goldberg" Variations on, he identified Bach with himself and proposed that Bach heard things the way he did, and eventually the interpenetration of composer and interpreter became so complete in the public mind that each took on qualities of the other.
Modern techniques permit a reduction of the contrast between space and mass expressions by reducing the mass of walls and the size and number of supports and by allowing the interpenetration of interior and exterior space.
Three common points of emphasis are immediately salient: on a tight connection between understanding and truth; secondly, on the interpenetration of our grasp of linguistic meaning and of objective reality; and, thirdly, on the social nature of meaning and thought.
Inspired by Zhou Dunyi's doctrine of the interpenetration of stillness and activity and related ideas, Zhu Xi worked out a twofold cultivation effort that incorporated at once nurturing one's feeling of reverence (jing) to purify mind while investigating things to discern their determinate or defining patterns (li).
In both poets' work can be traced the interpenetration of urban and rural environments and habits of thought that characterises places haphazardly industrialised in the 19th century.
We could be talking about the interpenetration of jazz and soul music, and George would mention that the bassist Milt Hinton played on "Mr. Lee," a late-fifties hit by the Bobbettes.
Whereas under nationalisation the dominant groups – economists and engineers – occupied semi-autonomous spheres, in the privatised context there was the interpenetration of accounting and economics into the sphere of engineering.
Ackroyd is the author of 10 novels, one of the best of which, "Hawksmoor," prefigures in its handling of time and architecture the major theme of "London: the Biography," the interpenetration of its present and its past.
It was Wilde himself who insisted on the interpenetration of his life and work, and their often vexed relationship to each other: his genius, as he so famously remarked, reserved for his life, his talent for his work merely.
Gordon is the kind of choreographer who likes to return to favorite themes (the interpenetration of life and art), methods (as much talking as dancing), and even props (chairs), but not to revive old dances.
