Sentence examples for and repulsion in the from inspiring English sources

The phrase "and repulsion in the" is grammatically correct and can be used in written English.
It can be used in contexts discussing forces, emotions, or reactions, particularly in scientific or psychological discussions.
Example: "The study examined the forces of attraction and repulsion in the context of molecular interactions."
Alternatives: "and aversion in the" or "and resistance in the".

Exact(2)

The moral debate on nationalism reflects a deep moral tension between solidarity with oppressed national groups on the one hand and repulsion in the face of crimes perpetrated in the name of nationalism on the other.

The guidance cue UNC-6/Netrin and its receptors UNC-5 and UNC-40/DCC control both attraction and repulsion in the dorsal-ventral axis (Chan et al., 1996; Leonardo et al., 1997; Hong et al., 1999; Montell, 1999; Shekarabi and Kennedy, 2002; Moore et al., 2007).

Similar(58)

Because she aspired to dominate her physical sensations — attractions and repulsions in the name of submission to a higher power, the future Doctor of the Church drained some of the fluid into a ladle and drank it.

"There's terror and repulsion in us, the terrible spot that we don't talk about.

There was this strange mixture of fascination and repulsion in going to places like the House of Commons.

We show for the first time that Wnt/Ryk calcium signaling mechanisms regulating axon outgrowth and repulsion in cortical cultures are also essential for the proper growth and guidance of postcrossing callosal axons which involve axon repulsion through CaMKII.

Wnt5a promotes DA axon elongation, retraction and repulsion in a time-dependent manner, as well as maturation and fasciculation of the MFB.

Grigory Rasputin, the power behind the throne of Czar Nicholas II, has once again become a magnet of attraction and repulsion in Russia.

It contrasts with the metaphysical-dynamical mode, which employs fundamental moving forces (e.g., attraction and repulsion) in its explanations.

A seemingly inert particle of matter contains within itself forces of attraction and repulsion in a dynamic equilibrium.

Along with Matthew Harris, whose use of distressed clay speaks to the malleability and entropy of the human form, Fernandez is among the assembled artists who most deftly use both disgust and humor, attraction and repulsion, in equal measure.

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