The phrase "and powerful performance of" is correct and usable in written English.
It can be used when describing the effectiveness or impact of a particular performance, such as in a review or analysis of a play, movie, or musical piece.
Example: "The actor delivered an emotional and powerful performance of the lead role, captivating the audience from start to finish."
Alternatives: "and impactful performance of" or "and impressive performance of".
Mr. Warren led a broad, wide-ranging and powerful performance that made the most of rhetorical pauses, slowdowns and dynamic contrasts.
Movement improvisation, listening exercises, and theater games release the energy, playfulness and willingness to take risks that is the essence of free and powerful performance.
There might be a Butler revival, however, if all his ballets received the kind of taut and powerful performance given "Othello" by Donald Williams and Ramon Thielen.
The graceful and powerful performance earned him a personal best score of 215.08, raising his final score to 297.35.
The Tony award-winner, who plays the lead as Celie, a young black girl who faces many internal and external trials and tribulations living in Georgia, poured her heart and soul into a powerful performance of "I'm Here" and brought the Bernard B. Jacobs Theater down in an extraordinary way.
I recall his and the orchestra's powerful performance of Shostakovich's Fifth Symphony.
Afghanistan joined with European partners for Atiq Rahimi's The Patience Stone, a thoughtful reflection on the sufferings of Afghan women, given force and heart by the powerful performance of exiled Iranian actress Golshifteh Farahani.
Hudson's powerful performance of the song "And I Am Telling You I'm Not Going" brought audiences to their feet in movie theatres across the country.
An all-Balanchine program on Tuesday night, highlighted by a powerful performance of "Concerto Barocco," and this season's revival of the 1980 "Ballade" over the weekend at the New York State Theater again defined the distinctiveness of the City Ballet repertory.
However, not all of Edwards' performances were successful: his turn at Angelo in Shakespeare's Measure for Measure was called "invertebrate" by drama critic William John Lawrence; in Lawrence's estimation, Edwards and his fellow actors paled against the powerful performance of Avonia Jones as Isabella.
