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Free sign upThe phrase "and otherness in a" is grammatically correct and can be used in written English.
It can be used in contexts discussing identity, diversity, or philosophical concepts related to the idea of 'otherness' in a particular setting or framework.
Example: "The study explores themes of identity and otherness in a multicultural society."
Alternatives: "and difference in a" or "and alterity in a".
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No more heated discussions about liminality and otherness in a play, when all you really want to know is if it's any good.
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Without going to places there is no real understanding of "otherness", and otherness in all its forms, social, political, mental and sexual is what Solomon has spent his life exploring.
I just wanted to try and create, perhaps, a sense of alienation and otherness in this person, the white reader, to remind them that they are not neutral to other people".
There's also no shortfall of ghosts, revenants and otherness in Ms. Kiernan's "Two Worlds and In Between".
Borges's story, which can be read as a parable about imaginative refraction, describes Menard's quest not merely to translate Cervantes' work, but to invent it, ab ovo — collapsing time and otherness — in the seventeenth-century Spanish.
"But it turned out that a lot of male quilters had tried to address their maleness and otherness in the quilt world, and it was really interesting," says Isken, adding that the work in "Man-Made" is particularly noteworthy for its reflection of contemporary urban life.
The audience is on the side of the women as they search to fathom their sense of "otherness" in a society that betrays them and preys on a mother's self-doubts.
This is unfortunate, because good travel writing is to be valued for the way it unearths a rich sense of otherness in a landscape, a people, a form of activity, a set of events.
Simic is our great poet of the mystery and otherness hidden in ordinary things.
By the early 1990s, the most renowned and influential of McEvilley's essays were assimilated into two titles published by McPherson & Company: Art and Discontent: Theory at the Millennium, 1991, and Art and Otherness: Crisis in Cultural Identity, 1992.
He wrote two memoirs, Lessons in History and Otherness: the Story of a Very Long Life.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.
Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com