During the 1970s, Glynn drew a series of striking portraits of, among others, Stoppard, John Wood, Brian Eno, novelist Isobel Strachey, the aged Duncan Grant and the American composer Virgil Thomson, who became a staunch friend and later composed a piano portrait entitled Glynn Boyd Harte Reaching.
Thomas Stearns Eliot, who was born in America in 1888, visited Little Gidding in May 1936 and later composed some of the most-quoted lines in modern English literature when he recalled the scene.
Since Barry Gray had other professional commitments, the role of composing the theme music passed to newcomer Derek Wadsworth, who collaborated with Steve Coe to produce the incidental music and later composed for Year Two of Space: 1999.
Along the way, she dodged wolves, pro-Napoleonic mobs, and a treacherous servant (she hid her money in her dress), and, much later, composed an account of her travels that reads like a chapter out of "Vanity Fair".
Blades initially played the guitar and sang North American rock and roll, but he later composed and performed songs of political protest.
His undertaking of almost any kind of musical job may have contributed to the facility and matter-of-factness with which he later composed.
By this time the younger Khan had grown frustrated with the limitations of film work and was eager to return to classical music, though he later composed the scores for "The Householder" (1963), the first Ismail Merchant-James Ivory feature film, and Bernardo Bertolucci's "Little Buddha" (1993).
The score for Star Trek: The Motion Picture was predominantly written by Jerry Goldsmith, who later composed the scores for The Final Frontier, First Contact, Insurrection, and Nemesis, as well as the themes to the television series The Next Generation (a simplified arrangement of the theme from Star Trek: The Motion Picture) and Voyager.
On Oct. 17, 1761, the dramatic ballet Le Festin de pierre (Don Juan), was presented, based on a scenario by Gasparo Angiolini; Gluck later composed the music for two additional dance dramas by Angiolini, Semiramide and Iphigénie (both 1765).
She went to the Vienna State Opera in 1914 and became closely associated with pre-World War II Viennese culture; there Richard Strauss, who later composed for her the title role in Arabella (1933), chose her for roles in several of his operas.
Von Tilzer later composed "I'll Be With You in Apple Blossom Time".
