The phrase "and ghost in the" is not correct and lacks context to be usable in written English.
It may be intended to refer to a ghostly presence or concept, but without additional context, its meaning is unclear.
Example: "The story was about a haunted house, and ghost in the attic added to the eerie atmosphere."
Alternatives: "and spirit in the" or "and phantom in the".
It goes beside "Akira" and "Ghost In The Shell", always.
His publications include the verse play Trial of a City and Other Verse (1952) and poetic collections such as Rag & Bone Shop (1971) and Ghost in the Wheels (1977).
By 1999 the imagery of cyberpunk, much of it originating from Japanese anime such as Akira and Ghost In The Shell, was so familiar that it could be recycled wholesale as a Hollywood blockbuster in The Matrix.
There will also be a sound room where visitors can hear soundtracks that Yoko Kanno, the cult composer, arranger and musician, created for anime works like "Cowboy Bebop" and "Ghost in the Shell".
"Shadows" at 10pm and "Ghost in the Machine" at 11.25pm, a switch from BBC1 and a fleeting, temporary return to the channel whose ratings it vastly inflated (nudging close to 9 million viewers) and whose fearfully proper demographics it dramatically broadened.
Its director, Hiroyuki Okiura, worked on high-impact anime masterpieces including Akira and Ghost in the Shell, and directed the bleak, military-themed Jin-Roh – so Momo's sunnier, almost Ghibli-esque scenes of village life on a small island in western Japan seem, on the surface, of a much breezier mood.
And ghost-in-the-graveyard, if you played it at night, could be downright scary, because he could give you the feeling that he was there and not there at the same time.
American producer Letta makes thick, woozy, futuristic, clanking, viscous, metallic club music that sits somewhere between the outer reaches of experimental instrumental grime, deep space techno, and the ghost-in-the-shell stylings of avant-R&B.
His image is distanced from life, while partaking of it: he sees the ribs, bones and ghosts in the landscape.
Since his childhood, Giasullo was influenced by Heavy Metal Magazine, which featured stories that combined science fiction, horror, and erotica with dimension-bending Moebius-esque fantasy worlds, and the Ghost in the Shell-styled transgressive ideologies.
