The phrase "and fire in a" is not complete and lacks context, making it difficult to determine its correctness in written English.
It could be used in a context where something is being described that involves both "fire" and "a" noun, but without additional information, its usage is unclear.
Example: "The forest was filled with smoke and fire in a distant clearing."
Alternatives: "and flames in a" or "and blaze in a".
James McClean was the architect of the winning goal, doing well to reach Jose Rondon's overhit pass and fire in a cross from the byline that Arteta deflected into his own net at the near post.
Shortly after the expansion was completed last spring, a chemical leak and fire in a new distillation unit designed to process 325,000 barrels of crude a day sidelined much of the new facility until January.
The collaboration between the New Orleans legend and the Black Keys' Dan Auerbach is inspired, with the younger garage-bluesman placing the 71-year-old's blues and fire in a perfectly retro-modern frame.
Four crew members were killed and at least 17 others were injured this morning in an explosion and fire in a boiler room of the Norway, a cruise ship that had just docked in Miami after a week in the Caribbean, rescue officials said.
Mr. Kiepper grappled with major fires, accidents and crimes, including an explosion and fire in a Brooklyn subway tunnel in which two passengers died, a derailment in the Union Square station that killed five people and the death of Brian Watkins, a young Utah tourist killed while trying to defend his parents from robbers.
Extra-time was looming but Tuncay then released Petrov to race clear and fire in a late winner.
Says Ron, "Why do people keep calling this person intelligent?", noting that even the First Amendment has exceptions such as libel and fire-in-a-crowded-theater. Then from the other side, we listen to Obama's emotional plea not to forget Sandy Hook and Bloomberg's explanation why his $12 million ad campaign will hold swing senators accountable.
"You don't hire and fire in an environment where other people can hear the conversation," says Leyland bluntly.
She and her pianist, Robert Kulek, balanced lyricism and fire in an inventively phrased account of Brahms's D minor Sonata (Op. 108).
In this paper, we evaluate a series of introductions that experimentally manipulated microhabitat and fire in an adaptive introduction framework.
Colored with powdered oxides and fired in a kiln, they presented potent images of broken, struggling humanity.
