Sentence examples for and composers in the from inspiring English sources

And Los Angeles, magnet for European architects and composers in the 1920's and 30's, has turned into the paradise where modernism -- in the sense of perpetual novelty -- never grows old.

The United States has produced many popular musicians and composers in the modern world.

The list of plays, musicals, actors, directors, designers and composers in the running for a shiny Tony award this year run the gamut of expected -- the critically acclaimed musical "Fun Home" and historical fiction favorite "Wolf Hall" both received nods, to the ever so slightly less expected -- "This Is Our Youth" nabbed a nomination while its very youthful star Tavi Gevinson was left out.

There is an opportunity to witness Boulez as both conductor and composer in the next few weeks at the Barbican.

(Chinen) Bill Cunliffe Trio (Friday) An accomplished pianist and composer in the modern jazz mainstream, Bill Cunliffe doesn't surface all that often here, having fruitfully established a home base in Los Angeles.

(Chinen) JEROME SABBAGH QUARTET (Thursday) Mr. Sabbagh is a quietly commanding tenor saxophonist and composer in the postmodern mainstream; he plays here in an open trio setting, with Ben Street on bass, and Otis Brown III on drums.

(Chinen) JEROME SABBAGH QUARTET (Tuesday) Mr. Sabbagh is a quietly commanding tenor saxophonist and composer in the postmodern mainstream; his sleek ensemble sound owes a lot to the guitar playing of Ben Monder.

(Chinen) JEROME SABBAGH QUARTET (Tuesday) Mr. Sabbagh, an unassumingly self-assured tenor saxophonist and composer in the postmodern mainstream, leads a sleek ensemble with Lage Lund on guitar, Gary Wang on bass and Ted Poor on drums.

(Chinen) JEROME SABBAGH QUARTET (Tuesday) With "North" (Fresh Sound New Talent), Mr. Sabbagh proves himself a quietly commanding tenor saxophonist and composer in the postmodern mainstream; his sleek ensemble sound owes a lot to the guitar playing of Ben Monder.

Mr. Marks, best known for his work as a French-horn player, arranger and composer in the new-music ensemble Alarm Will Sound, constructed his score as a mostly continuous sequence of cheerily seductive original pop tunes with simple, repetitive lyrics, interspersed with a handful of familiar hymns and gospel songs.

By the time he received his calling from God, Václav Hálek was already firmly established as a concert pianist and composer in the Czechoslovakian classical music scene.