Sentence examples for and a plaster of from inspiring English sources

Suggestions(1)

The phrase "and a plaster of" is correct and usable in written English.
It can be used when referring to a type of plaster, typically in the context of construction, art, or medical applications.
Example: "The artist mixed the paint with a plaster of Paris to create a unique texture."
Alternatives: "and a layer of plaster" or "and a coating of plaster."

Exact(2)

Stitches were removed at 2 weeks and a plaster of Paris cast applied.

The foot is then forcibly thrust backward about 2 cm., the two incisions sutured, and a plaster of Paris dressing applied with the foot in slight equinus and with no lateral deviation in either direction.

Similar(58)

The church, built of brick and adobe with a plaster of sand, lime and prickly pear juice, is 98 feet long on the inside but only 21 feet wide.

She won hands down with "a stack of librarians" and "a plastering of politicians". The evening E. J. and I came for supper, we learned that nothing gets started at 1119 Pinehurst without a sip or two or three of bourbon.

Soaked with rain, the tornado whipped up a porridge of mud that splattered everything that stood in its path and that has since left a plaster of clay on everything, outside and inside homes.

28 Conventional treatment differed between studies: a wool and "elastoplasts" (elasticated) bandage or a plaster of Paris backslab with non-weight bearing 28 versus early ankle mobilisation and early weight bearing with externally protection of tape, bandage, or brace.

They also revived the lost art of making qudad, a plaster of lime and cinder historically used to waterproof Yemeni buildings.

In the present work, it is successfully applied to the in vivo XRF measurement of lead in bone and benchmarked by the measurement of a plaster of Paris phantom of known lead concentration.

Infection was suppressed and the leg was immobilized in a Plaster of Paris.

There is an "exhibit"—a few pieces of paper explaining historical context, a collection of vintage t-shirts, and a plaster mold of Lizard Man's huge footprints in a glass case scattered with dried butterbeans.

These include the two paintings familiar from the National Gallery's own collection, a marble tondo visitors to the Royal Academy have been able to see outside the Sackler Gallery these past 20 years, and a plaster copy of Michelangelo's marble Pietà.

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