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In the context of the analysis of paintings, μXRD is extensively used for the identification of various crystallized paint ingredients and degradation products.
Also, the increased penetration depth enables the complete PIXE analysis of paintings.
One of the most challenging applications where the automatic analysis of paintings can be applied into is artwork authentication.
Jafarpour et al. [12] proposed the stylistic analysis of paintings through dual-tree complex wavelet transforms and Hidden Markov Trees.
With respect to the analysis of paintings, this technique is employed to understand processes taking place in the creation and in the degradation of pigments.
Analysis of paintings by art historians for appreciation, attribution, and conservation purposes has been supported by science and technology since the early eighteenth century [1].
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For example, this combination was exploited to analyse degraded Pompeian paintings, the millimetre beam being used for a macroscopic surface analysis of the paintings, and the sub-micrometre beam for an in-depth study of the painting transverse cross-sections [41].
Students were required to restrict themselves to a technical visual analysis of the paintings they studied, not explore the political background that produced them.
In the exhibition, which includes a room dedicated to the technical analysis of the paintings, the curators, Ron Spronk and Harry Cooper, have laid bare the hesitations and rethinkings that lie behind these serenely abstract works.
In 2009, a forensic analysis of two paintings — one dated 1953 that Ms. Freedman bought, and another dated 1955 displayed at Knoedler — concluded that both contained pigments that were not "invented until at least 10 years after the date on the paintings," according to court records.
Some methods such as fluorimetry, Raman or IR spectrometry are effective in this respect but require an adaptation of the laboratory devices to the constraints of the in-situ analysis of manuscript paintings.
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