Sentence examples for analogue form from inspiring English sources

Copyright law on unpublished stuff generally relates to archives – notes, diaries, rough drafts, early scripts – in analogue form.

The instruments just described provide readings in analogue form, by moving a pointer that indicates voltage on a scale.

Hughes-JVC, on the other hand, says that ILA, in which the signal is converted to analogue form, is smoother and better because it makes no assumptions about the number of pixels in the original digital signal.

A stochastic model based mainly on a trivariate mean density function is proposed to describe an analogue form of a dispersed phase particle motion in the upper region of an agitated vessel equipped with a turbine mixer.

The second part of this paper describes a design of the first-order IIR Chebyshev filter via Filter Visualization Tool (FVT), and functions, implemented in Signal Processing Toolbox, whereas a conversion from the analogue form into the digital form is done and discussed for bilinear transformation only.

The following corollary presents the analogue form of Theorem 3.4 for the fractional differential system (3.25).

But of course the opposite has happened: fine artists such as Tacita Dean or William Kentridge have led a noted comeback (pay wall link) for analogue forms of image-making, while Instagram has made the rest of us not artists but cogs.

The internet search engines of Google and its predecessors - Lycos, Infoseek, AltaVista - became our indispensable guides as the world's memory was converted from traditional analogue forms such as books, newspapers, magazines and microfilms to purely digital web pages.

The HAMLET analogue formed from the complex of rHLAall-Ala and oleic acid (rHLAall-Ala OA) exhibited equivalent strHLAall-Ala OAal activity against lymphoma and carcinoma cexhibited and was shown to accumulatequivalenthe nuclei of tumor cellstrongs reproducing tumoricidalr tractivityg pagainstof HAMlymphoma

The real virtue of post-internet art is not that it breaks down the distinction between digital and analogue forms.

But as Steyerl herself observed in an interview, Bishop was absolutely right to state that the central organs of the art world – museums, biennials and fairs – have shown little interest in digital culture and often privilege analogue forms that either easily slot into art history or retain obvious financial value in the market.