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What an audacious, uninhibited performance from Tom Ford, and such great work from Adams, Gyllenhaal, and Shannon and Linney.
Ms. Kistler matched him on the same high ground with good-humored exuberance and a thrillingly uninhibited performance that reached its height in a duet with Charles Askegard as an anonymous but superb cavalier.
Lei Hao gives a fierce, uninhibited performance as the film's passionate, impulsive heroine, a girl from the provinces who arrives at Beijing University in 1988.
But, while Billie Piper gives a breathtakingly uninhibited performance as Stone's protagonist, the result lacks the metaphorical power of Lorca's austere classic.
The Guardian's Michael Billington said Piper gave "a breathtakingly uninhibited performance" as the play's protagonist; while Libby Purves in the Daily Mail said Piper was "one of the most intense and exciting creatures on any stage".
But there were encores as well, the last of which was a wholly uninhibited performance of Aaron Jay Kernis's "Superstar Étude No. 1," complete with feet and elbows on the keyboard, and bluesy vocalizations in the final bars.
Lonsdale, the movie's approximation of a Rivette stand-in, gives a wild, furious, tender, passionate, uninhibited performance — he bellows, cries, howls, wails, caresses, crafts dialogue with a lofty dialectical intelligence, carries the film on his big-shouldered physique.
He scored a double triumph: his comedy Love's Last Shift, or The Fool in Fashion (1696) was a great success, and his own uninhibited performance as the Frenchified fop Sir Novelty Fashion ("a coxcomb that loves to be the first in all foppery" ) delighted the audiences.
Marlon Brando's wonderfully uninhibited performance set a gold standard for the new method style of acting.
Mr. Kitzke made the most of Mr. de Mare's uninhibited performance style, having him give the text an incantatory reading suited to Ginsberg's imagery and asking him to vocalize the sounds of a locomotive in instrumental interludes.
Rossini's insinuating music is hot, especially in this vocally haunting, physically uninhibited performance.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com