The phrase "an image in which" is a correct and usable part of a sentence in written English.
It is typically used to introduce a description or explanation of a specific image within a larger context. For example: "The artist created a painting of a serene landscape, an image in which the vibrant colors and detailed brushstrokes evoke a sense of peace and tranquility."
"If they play with an image in which they see themselves, there is a sense of mirroring and empowerment," she said.
Blunt and beautiful combine in "The Strafing," an image in which bursting shells illuminate a ghostly expanse of no man's land and trenches; it may remind Americans of some of Marsden Hartley's muscular romantic landscapes of the 1930's.
It also called up an image in which the head of Seal, the singer, had been Photoshopped onto a sea lion's body — an object of much fascination to the students.
An M.R.I. device feeds magnetic signals into a computer, which turns them into an image in which the parts of the brain with concentrations of glucose and oxygen -- the fuel of brain-cell activity -- are "lit up".
Spherical aberration produces an image in which the centre of the field of view is in focus when the periphery may not be and is a consequence of using lenses with spherical (rather than nonspherical, or aspheric) surfaces.
But even though my four kids range from 12 to 20, it's still tricky to find an image in which their eyes are all open, they're actually facing the camera and they're not subtly torturing one another.
Two years ago at Sotheby's, Mr. Brant paid $4.8 million for Lichtenstein's "Step-On Can With Leg" (1961), a diptych, based on an advertising image, in which a woman's leg is seen operating a new type of garbage can.
For one thing, the camera and monitor resolve an image in pixels, which the printer translates into dots per inch.
In taking these few short steps, the human mind finds itself confronted with a picture, a theological image in which God, man and world form a divine nexus.
A self-portrait by the little-known lifelong Parisian Pierre-Antoine Gallien is an epigrammatic image in which plaster, glass and oil paint find an outlet.
In "ELEMENT.," several scenes of groups of black men shirtless, flexing, wilding, hooting, and hollering recall Lawson's "Signs," a staged image in which a group of shirtless, tattooed black men throw up gang signs while staring down the camera.
