Sentence examples for an explicit rejection from inspiring English sources

There was aggression in public life, but also an explicit rejection of extremism – often called "enthusiasm" or "fanaticism".

Instead, she advises readers on how to fulfill their dreams while surviving the workplace — an explicit rejection of the work-obsessed society she lives in.

It was not an explicit rejection on the basis of gender, though Merlyn suspects that had something to do with it.

Nonetheless, there remained important points of differentiation: tuition fees, for example, became the leitmotif of the nationalist approach – an explicit rejection of the Blairite education agenda.

Still an explicit rejection of the drug by the F.D.A. might prompt the compendia to re-evaluate the drug or prompt insurers to ignore the compendia.

With songs about the war and an explicit rejection of the "redneck agenda," the album was both a harbinger and a beneficiary of the Bush administration's plummeting approval, selling steadily through 2005 as the response to Hurricane Katrina and the protracted war in Iraq turned much of the country against the government.

Yet according to Heimlich, Illmatic provided an "explosive, explicit rejection of the cultural assimilation of most previous hip-hop," due to its rugged use of language and its uncompromising portrayal of crime Heimlich cites Nas' role in the resurgent hardcore movement, writing: "[Nas] came on the scene as hardcore's golden child.

It fell short of a promise not to meet the Dalai Lama again, but China was clearly pleased by such a formal, explicit rejection of Tibetan independence by a Western power.Mr Sarkozy, it appears, did not cave in entirely to Mr Hu.

Writers disagree how best to define and classify atheism, contesting what supernatural entities it applies to, whether it is an assertion in its own right or merely the absence of one, and whether it requires a conscious, explicit rejection.

One of Foster Wallace's earliest calling cards as a writer was his explicit rejection of Carveresque minimalism – fashionable in the 80s – in favour of an almost incontinent proliferation of irrelevant detail, meandering interior monologue and, in general, language delivered in bulk.

Chan traces its origins to a radical break from this scholastic approach an explicit rejection of the ultimate authority of writing combined with an insistence that authentic Buddhist teachings are not to be found in books or memorized liturgies but only in the immediate, face-to-face encounters of Buddhist masters and their students.