The phrase "an array of cameras" is correct and usable in written English.
It can be used when describing a collection or variety of cameras, often in the context of photography, surveillance, or technology.
Example: "The new exhibition features an array of cameras from different eras, showcasing the evolution of photography."
Alternatives: "a collection of cameras" or "a variety of cameras."
It carries Voyager's "eyes" – an array of cameras, spectrometers, particle detectors and other equipment.
The prototype involved filming extensive interviews with Gutter using an array of cameras and a specialised light stage.
The gondola, nearly twenty years old, was a pressurized silver cylinder about the size of a telephone booth, with G.P.S. and an array of cameras and physiological sensors.
LS3 builds on Big Dog's capabilities, adding an array of cameras and sensors that allow it automatically follow a designated leader.
Starting in the 1990s, Josh Harris, an Internet video pioneer and founder of Pseudo Programs and Jupiter Communications, held raging parties at his SoHo loft captured by an array of cameras.
HTC's Vive, in contrast, is £689, but features an array of cameras on the front and a field tracking system so players can wander around their house if they so desire.
On the big, bright touch screen, you can tap icons to access an array of camera controls, many gimmicky and ineffectual: white balance, exposure adjustment, scene modes, ISO (light sensitivity), antishake and so on.
This simple idea led to an array of camera mounting devices – for everything from helmets to surfboards, and even dog collars.
On the other hand there are richer means to gather input data, for example an array of video cameras distributed in various places of a building or a team of robots equipped with cameras and other advanced sensing devices can move around an area and provide 'in situ' understanding of a dynamic environment quite close to what humans in the place may be able to perceive.
Meanwhile, an array of six cameras positioned above her takes a series of photos, first to capture the surface variation of the sclera.
In Pripyat's once-luxurious swimming pool, Michał Grzesiczek, creative director at Polish software developer The Farm 51, places a tripod crowned with an array of GoPro cameras.
