Sentence examples for an age of technical from inspiring English sources

In an age of technical wonders, Nintendo's only competition in innovating personal electronics is Apple.

Even in an age of technical directors, directors of football and megabuck owners who make managerial decisions, clubs are more likely to succeed if there is a powerful football person in complete charge of team matters.

In consequence the artist has become over-concerned with his material (hence an age of technical experiment), and, in isolation, has busied himself with the two principal themes of modernism, mystification and outrage.

Starting from Walter Benjamin's idea that there is no qualitative difference between original and translation in an age of technical reproduction, the author reflects upon the many aspects of an endless continuation of writing within the field of tension between originality and non-originality.

We live in an age of incredible revolutionary technical development that has changed the way businesses operate forever.

And journalists have had to think about their own obligations — to the law, the Constitution, their readers, and even, in the practice of reporting in the age of technical tracking, to sources they might expose or make vulnerable.

Oh also laid out "a host of pressing issues" including the need to balance user-created content with editorial accountability, as well as to identify business models to sustain citizen journalism during an age of ever-more rapid commercial and technical transitions and unclear revenue models.

These effects are especially relevant for the elderly because of both the life-cycle profile of wages and the potential age bias of technical change, as new technologies or forms of organization may affect negatively the employability of older workers.

His essay on 'The Work of Art in the Age of Its Technical Reproducibility' remains a major theoretical text for film theory.

The first may be traced through a linked series of essays of which 'Surrealism: The Last Snapshot of the European Intelligentsia' (1929), 'Little History of Photography' (1931), 'The Work of Art in the Age of its Technical Reproducibility' (1935 9) and 'The Storyteller' (1936) are the most important.

An important consequence of this dependence, however, was the editorial revisions to which key essays in which Benjamin developed his materialist theory of art were subjected, such as 'The Work of Art in the Age of Its Technical Reproducibility' and those on Baudelaire and Paris that grew out of The Arcades Project.