Sentence examples for amour of from inspiring English sources

The phrase "amour of" is grammatically correct and can be used in written English.
It may also be more commonly seen as "love of" in modern English. Example: "The novel tells the tale of a forbidden amour of two star-crossed lovers."

Exact(5)

The love of ma vie, François Hollande, the Président de France, had another amour of his vie.

Mallory meets at Charterhouse "an ancient amour of mine... a young man of 17 but still only just past the moment of puberty & with a fair skin & fair curly hair & red enticing lips!

As a free spirit, Maxime preceded Jeanne Moreau as the amour of the film director Louis Malle, had an odd, erotic relationship with the painter Max Ernst, and decamped to Provence with a minor American artist.

Emmanuelle Riva, aged 85, became the oldest Bafta winner when she won the best actress category for her remarkable portrayal in Amour of a retired music teacher whose life is visibly ebbing away after she suffers a stroke.

Hamilton's borrowings, a perusal of the "charging ledgers" reveals, were relatively modest: despite his non-stop habits of work and composition, he found time to read, or anyway borrow, two novels, "The Amour of Count Palviano and Eleanora" and, as listed in the ledger, "Edward Mortimer (hist. of) by a lady".

Similar(55)

"Pretzell and Petry are the amour fou of the German right," wrote Augstein in a recent column.

According to the results of job website Vault.com's seventh annual survey of office amour, 59% of workers say they've engaged in a workplace romance.

He remembers that the lodgers of the Dirty Boardinghouse mounted to its roof on summer nights, from which vantage they interrupted the amours of local cats with gunfire.

Claymation videos by Nathalie Djurberg, one of them depicting the amours of a girl and a tiger, aren't very good, but they enhance the show's vein of sexual whoop-de-doo.

The mooning and swooning of the nobility is mirrored by the bawdier amours of Don Armado Timothy Spalll) and Jaquenetta (Stefania Rocca), whose cleavage inspires some of Mr. Branagh's most inventive camera work.

The theme is developed in shorter variations on Voltaire's liaison with Madame du Chtelet, the wintry amours of John Stuart Mill and Harriet Taylor, even the affair Boswell was too young and inexperienced to bring off with the remarkable Zelide.

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