The phrase "amount of reality" is correct and usable in written English.
It can be used when discussing the extent or degree of something that is considered real or factual, often in philosophical or analytical contexts.
Example: "The film blurs the line between fiction and truth, challenging the audience to consider the amount of reality presented in its narrative."
Alternatives: "degree of reality" or "level of reality".
"People connected to the neighborhood, which still has a fair amount of reality left to it".
The truth is that no amount of reality could compete with the Holocaust.
NBC will nearly double its amount of reality programming, to seven hours from four.
And don't bother with the newest "debate," about the properly desirable amount of "reality" that American fiction should currently possess.
No amount of reality — technical and management weaknesses that led to either deadly catastrophes or astronomic costs — ever came close to overcoming the dreaming (and old-fashioned politics) that carried the shuttle program forward from start to finish.
(Participants… Illusions generated a lot of talk in postwar American theatre. The truth is that no amount of reality could compete with the Holocaust. So there… The new Pixar film, "Inside Out," is about the life of Riley.
Toss in Chinese lessons, cooking classes and the endless reports of the latest intellectually stimulating conference or enriching cultural event, and who wouldn't feel bad about their own evening ritual, spent on the couch watching ridiculous amounts of reality television?
"I don't watch a huge amount of this reality bullshit on the television," Houston told me.
Something that I like to think I have a good amount of, in reality probably have a lot less of, and always want to have more of.
The modernizers sought, apart from anything else, to make Labour electable again: this involved smartening the Party up, democratizing its electoral systems, reducing the influence of the trade unions, and accepting a certain amount of market reality.
If his subjects were purely imaginary, he rendered them with an uncommon amount of descriptive reality, staging scenes in his studio and going to nearly unbelievable lengths to assemble models and props.
