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Among the documentary competitors I've seen Dan Krauss's devastating film "The Kill Team," is a formidable contender.
Among the documentary treasures found were memos, dating from the nineteen-fifties, that gave instructions on procedure in the event of nuclear attack — an event against which even the works of the house's first best-selling author, Gayelord Hauser, who wrote "Look Younger, Live Longer," would offer no protection.
Among the documentary nominees Charles Ferguson's "No End in Sight" vividly explains how the ground beneath us became quicksand just before the Iraq war, while Alex Gibney's "Taxi to the Dark Side" demonstrates that United States efforts to create the illusion of a safer world can take out innocents along the way.
His comments are among the documentary's most cogent.
Among the documentary's highlights is a largely incoherent Marlon Brando muttering improvisations as the rogue US colonel Walter E Kurtz.
Among the documentary's highlights are depictions of the chaos that accompanied the band's early tours; the birth of the Jagger-Richards songwriting partnership; the death of the guitarist Brian Jones in 1969 and the terror later that year at the Altamont Festival, where four people died; and Mr. Richards's 1977 drug arrest in Toronto, which threatened to break up the band.
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Also among the documentaries is "Joe Gotta Go!," directed by Tracii McGregor, about the election of the first black mayor of Selma, Ala.
Amy, Going Clear, He Named Me Malala and What Happened, Miss Simone? are among the documentaries shortlisted for an Oscar at next year's Academy Awards.
Among the documentaries, "Last Days Here," about a heavy-metal singer fighting addiction and trying for a comeback, and "The Redemption of General Butt Naked," about a former Liberian warlord looking for forgiveness, are fascinating character studies.
A gripping feature film scattered among the documentaries and set in Haiti a few years ago, Raoul Peck's "Moloch Tropical" is a satirically edged melodrama about the corruption of absolute power.
Among the documentaries, the not-quite-sci-fi Sympathy for the Devil is an extraordinary look at the late 60s/early 70s British religious cult known as The Process Church of the Final Judgment.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com