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The deliberately ambivalent title of Another Year can be read in two very different ways; as the declaration of a positive new broom – out with the old, in with the new – or as the depressing acceptance of an unalterable status quo.
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(We're ambivalent about ambivalence).
Fitzgerald was repeatedly ambivalent about the book's title and he considered a variety of alternatives, including titles that referenced the Roman character Trimalchio; the title he was last documented to have desired was Under the Red, White, and Blue.
(He is actually quite ambivalent about the book's title poem; it didn't come easily, he changed nearly every line in some way or other, and he finds its essayistic structure alien to the rest of his work).
Initial writer Jamie Delano was, in his own words, "fairly ambivalent" about the change of title.
As the title suggests, he is ambivalent about this place.
As regards the Tour of Britain, which this year has moved to the week before the national title, she is more ambivalent after a less than happy ride in the inaugural event last year.
So the title of Showtime is deeply ambivalent: both a triumphant throwdown and a sardonic dig at his newfound status.
Phil Mickelson, whose 41 tour titles include four majors, was more ambivalent.
The title is meant to reflect Daniel's ambivalent fascination with São Paulo, but the film, like Daniel in the opening scenes, is content to fly over it.
Yet the book's title (in Italian, La Tregua) is, I think, intentionally ambivalent.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com