The phrase "ambitious example" is correct and usable in written English.
It can be used to describe an example that is particularly bold, innovative, or striving for a high standard.
Example: "The project presented an ambitious example of what can be achieved with limited resources and a dedicated team."
Alternatives: "aspirational instance" or "bold illustration".
An ambitious example for lower Manhattan was proposed by Paul Rudolph in 1970.
But "Farmed and Dangerous" is an unusually ambitious example: these are full-length, scripted programs, presented alongside standard television fare.
The Italian planners had in mind the ambitious example of the Tennessee Valley Authority, which had resettled thousands of Appalachian families.
The first two options — setting a more ambitious example to others, or threatening climate laggards with carbon tariffs — are tempting gestures, and each has its supporters.
It is also the most ambitious example of Mr. Muniz's large photographic work, though not the first in which food has been used to depict a familiar object.
The US was the most successful, and most ambitious, example of intervention with the managed bankruptcies of General Motors and Chrysler which were supported financially by the government.
The most ambitious examples of this type of craft were the huge airships designed and built in Germany by Ferdinand, Count von Zeppelin.
The more ambitious examples allow students to see what's inside creatures, fit fish into ecosystems or go on a geology field trip without packing a lunch.
BATTERY PARK CITY and the redevelopment of 42nd Street are especially ambitious examples of public-private partnerships, though the concept is routinely applied as well in the development of individual buildings, including the future headquarters of The New York Times.
Changing the rules Winners and losers Sources and acknowledgements ReprintsVerizon's FiOS project is one of the most ambitious examples of how telecoms operators around the world are moving into television services, in direct response to the march of cable operators into the voice market.
Somewhere between these two extremes lay Wallace K. Harrison's new Metropolitan Opera House and Max Abramovitz's Philharmonic Hall, both rather ambitious examples of institutional architecture such as we are accustomed to in banks and hospitals — imposing, no doubt, by their mere size and volume but lacking, to my mind, in charm, elegance, and originality.
