The basic assumption is that, if some information insinuating eco-friendly design is provided in an ambient way to the designers during the design education, the awareness about sustainable design can be significantly improved.
When he meets someone at a roadside café, he wears a lavalier microphone, which picks up the sort of ambient noise that sound designers normally filter out.
It's an LED swing that lights up at night to create a soothing ambient glow that probably (in designer speak) "creates an atmosphere of calm for the child".
Backed by the sparse, ambient soundscapes of Urbanscreen sound designer, Jonas Wiese, the results are as immersive as they are extraordinary.
The design of such ambient visual cues for affect is an elusive topic that has been studied by painters, theatre directors, scenic designers, lighting designers, filmmakers, producers, and artists for years.
Directed and edited by Larry Fessenden; written by Mr. Fessenden and Robert Leaver; director of photography, G. Magni Agustsson; music score by Jeff Grace, ambient score by Anton Sanko; production designer, Halfdan Larus Pedersen; produced by Mr. Fessenden and Jeffrey Levy-Hinte; released by IFC First Take.
The visions of ambient intelligence demand novel interaction paradigms that enable designers and system developers to frame and manage the dynamic and complex interaction between humans and environments populated with physical (real) and virtual (digital) objects of interest.
Curiously, how this car looks is totally dependent on the vehicle's color and the ambient lighting: in silver under bright lights, the design's more sculptural aspects make its designers proud.
Working alongside the music, audio designer Adam Hay has also experimented with ambient effects, carefully modifying a range of countryside sounds.
When he meets someone at a roadside café, he wears a lavalier microphone, which picks up the sort of ambient noise — blaring car horns, shrieking cicadas — that sound designers normally filter out.
