The phrase "alternation of light" is correct and usable in written English.
It can be used in contexts discussing changes in lighting, such as in photography, art, or natural phenomena.
Example: "The alternation of light throughout the day creates a dynamic atmosphere in the landscape."
Alternatives: "change of light" or "fluctuation of light".
For a few weeks after that, residents will enjoy the diurnal alternation of light and darkness that is usual elsewhere.
The art historian Richard Schiff, writing with his usual acuity in the show's catalogue, sorts out the splayed cards in one player's hands as an alternation of "light blues against darker blues, various cool blues against warm violets".
Mr. Saunders's main strength may be installation, as evident in his use of space, the alternation of light and dark and, most memorably, the two projectors for "Double Matti," which are placed among the opening sequence of silvery film stars; they are ready-mades that, like Duchamp's bachelors, possess their own metaphysical glamour.
This is due to the fact that, in digital projection, there are no gaps between frames and so no underlying, imperceptible alternation of light and dark.
The regular alternation of light and darkness over 24 h synchronises mammalian circadian rhythms and constitute a reference for predicting the times of peak and trough of cellular metabolism and proliferation.
As stated in introduction, a natural enhancement algorithm should avoid dramatic alternation of lighting conditions to the scene, and not introduce additional artifacts or amplifying hidden distortions of images.
Some fossils of Sinosauropteryx show an alternation of lighter and darker bands preserved on the tail.
According to Nemesi & Partners, the project is "inspired by a natural architecture in which the branched weave of the external 'skin' of the building generates alternations of light and shadows and solids and voids, creating a scenario that refers to works of Land Art".
The Late Pleistocene to the Holocene sediments in the Japan Sea are characterized by alternations of fine light and dark clayey layers, reflecting variability in the paleoenvironment (e.g., Oba et al. 1991; Tada et al. 1992, 1999; Ikehara 2003; Kido et al. 2007).
Her major motif is a grid featuring an alternation of dark and light squares that can stand for, among other opposites, the ebb and flow of life.
This can be relict stratification developed by the alternation of dense and light or of clean and dirty snow accumulations from higher on the glacier.
