Sentence examples for altering the classical from inspiring English sources

The phrase "altering the classical" is correct and usable in written English.
It can be used in contexts discussing changes or modifications to traditional or established concepts, forms, or practices.
Example: "The artist is known for altering the classical styles of painting to create a modern interpretation."
Alternatives: "modifying the traditional" or "transforming the conventional".

Exact(1)

We discovered that the globus pallidus externus (GPe) sends a direct projection to cortex, thus altering the classical model of the basal ganglia.

Similar(59)

The recent outbreak of Zaire Ebola virus in West Africa altered the classical paradigm of vaccine development and that for emerging infectious diseases (EIDs) in general.

Krishnamacharya therapeutically altered the classical asanas (poses) to better fit them to people's bodies.

The moralizing strain in the Victorian era altered the classical tales to teach lessons, as when George Cruikshank rewrote Cinderella in 1854 to contain temperance themes.

Addition of Arnt and Gdi2 did not alter the classical cytoarchitecture of Shh-induced medulloblastomas, which is characterized by densely packed sheets of cells with nuclear molding and scant cytoplasm.

These results demonstrated the possibilities of modulating the release profile by means of the processing parameters rather than through the classical approach of altering the formulation.

This is a very important point that in some way alters the classical picture of the disease: the most relevant information for the AF disease are located at the level of tissue organization that in turn is linked to the stimulus conduction and generalization on the tissue scale and not at the level of single cell stimulus onset.

One should, thus, simply avoid altering the logic too much, and one can even stick to a classical notion of logical consequence.

Altering the context altered the result.

Consider altering the environment.

In his 1957 "Agon," to a score by Stravinsky, he made a five-minute pas de deux for a man and a woman (Arthur Mitchell and Diana Adams) that altered the direction of classical dance.

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