The phrase "altered scale" is correct and usable in written English.
It is typically used in music theory to refer to a specific scale that is modified or altered from its original form, often used in jazz improvisation.
Example: "When improvising over a dominant seventh chord, musicians often use the altered scale to create tension and resolve it effectively."
Alternatives: "modified scale" or "changed scale".
His strategy partly entails greater precision and altered scale, scale being, as artists know, a reliable trickster and emotional provocateur.
Using this dimensional analysis with the equivalent altered scale yields remarkable results.
But their sculptures look amateurish by comparison with Mr. Mueck's, whose strategy entails far greater precision and altered scale: even in the era of computer simulation, the work boggles the eye, but Mr. Mueck's sculptures are not true to size, a crucial distinction.
His other contribution to the album, "Think for Yourself", features what Everett described as "ambiguous tonal coloring", utilising chromaticism in G major with a "strange" mixture of the Dorian mode and the minor pentatonic; he called it a "tour de force of altered scale degrees".
Roslavets, an obscure early-20th-century Ukrainian composer, invented his own harmonic system, based on altered scales.
"All those altered scales and harmonic extensions people were calling modern in the 40's and later, I knew all about those before 1930.
At root, Mr. Metheny is an astonishing jazz guitar player with a rapid stream of ideas; he uses the whole range of the instrument, working wide glissandos into tight, focused improvisations; putting elongated, countryish licks among finger-busting altered scales.
"All those altered scales and harmonic extensions people were calling modern in the 1940s, I knew all about years earlier," he said.He was conservative too in his life offstage.
Altering scale changes our perception, and defines them as fictional.
Without altering scale or image content, tiled images were re-aligned across multiple time points in Adobe Photoshop using either registration marks made with solvent-resistant markers on the underside of the well, or by unique patterns in the tape edges that line the stimulation channel.
Brook has no pretense to present Bach as a call to hope on a cosmic, landscape-altering scale.
