Sentence examples for also a preoccupation from inspiring English sources

Exact(8)

There was also a preoccupation with apocalyptic visions of heaven and hell and of the Last Days.

The vocabulary borrows from ballet — not just steps but also a preoccupation with épaulement, the precise coordination among legs, arms and heads.

CNN viewers, meanwhile, saw a large panel discussing Trump's speech earlier in the day at the CIA, in which crowd size was also a preoccupation.

Henry Eyring identified business with building and practicality; Clark identified business with personal leadership, which is also a preoccupation of Mitt Romney's.

In 1954, the historian David M. Potter, in "People of Plenty: Economic Abundance and the American Character," explored, among other subjects, how the ubiquity of advertising (also a preoccupation of John Kenneth Galbraith's "Affluent Society," in 1958 ) conditions Americans' consciousness.

What one feels, in talking to the people who are likely to determine foreign policy in the Bush administration, is a worldly pragmatism but also a preoccupation with threat, a suspiciousness about negotiations, a willingness to go it alone.

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Similar(52)

Tests also showed a preoccupation with future harm at the expense of what might be needed in the present moment.

On the work front, Harry is thrown together with new detective Katrine (Rebecca Ferguson), who has personal reasons of her own for wanting to nail the Snowman, and also has a preoccupation with glitzy, sinister businessman Arve Støp (JK Simmons).

For many, including myself, this passage not only involves the need to re-examine values and priorities in our lives, but also entails a preoccupation with signs of physical aging.

He had also shown a preoccupation with the magazine's annual Person of the Year, tweeting in November that he will "PROBABLY" be the one but that he opted out.

"Gerry," "Elephant," "Last Days" and "Paranoid Park" are linked by a spirit of formal exploration — elements of Mr. Van Sant's experimental style include long tracking shots; oblique, fractured narratives; and a way of composing scenes that emphasizes visual and aural texture over conventional dramatic exposition — and also by a preoccupation with death.

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