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The pushy, hectoring, rhetorical voice of the narrator, Humbert Humbert, is set against the almost voiceless figure of Lolita herself, the 12-year-old girl (as she is at the beginning of the novel) whom Humbert abducts.
Pastoralists are almost voiceless at the national level.
I countered that all she had to utter were short phrases like "leave him" or "time's up". My almost voiceless friend found herself momentarily smiling.
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And you know, the group that almost always suffers when we're not attentive to the social justice side of this, and this is the reason I think it's such an important social justice issue, are those who are most vulnerable and most voiceless, those who don't have the ability to kind of fight for themselves.
They can even tear, leaving the singer virtually voiceless.
"Virtually voiceless".
Except it's almost certain Voiceless Victims was a fake.
This is quite an assumption given that (a) about 25% of the speech signal in, for example, English everyday conversation is voiceless, that (b) almost half of this percentage is due to voiceless fricatives [22], and that (c) languages have more voiceless fricatives than voiceless stops (according to the UPSID database, [23]).
We represent the most vulnerable and voiceless people".
They almost instinctively had to be on the side of the disenfranchised, of the voiceless ones, fighting injustice, oppression and evil.
It's all about being a voice for the voiceless.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com