The phrase "allusive that" is not correct and does not make sense in written English.
It seems to be an incomplete or incorrect construction, and it is unclear what context it is intended for.
Example: "The poem was allusive that it referenced many historical events."
Alternatives: "suggestive that" or "implying that".
And, on two separate occasions, I found "A Perfect Spy" so densely worked and allusive that I fell out of the saddle, slightly embarrassed, after about fifty pages.
His self-mocking performance is so ironically refined and allusive that one might think that Duke Ellington himself had slipped into an old undershirt and hit the fetid streets of Memphis.
In 1939, Auden held a position that can only just be suggested by that of Bob Dylan in 1967: indisputably the voice of his generation, he also wrote in a style so cryptic and allusive that the generation puzzled over what exactly it was that they were supposed to be saying.
That meeting, with its blustery business platitudes, strikes a note of allusive wit that is echoed throughout "Moonlight Mile".
They both made allusive art that affirmed their sexuality and affinity in a coded way.
She speaks quickly, in long allusive paragraphs that often end with a little joke or flash of sly wit.
"The Waste Land", a difficult and richly allusive work that first came out in 1922, had been hailed as one of the finest poems of his generation.
Nearly two decades after "Shaker Loops," Mr. Adams was writing in the busier and often humorous (or at least, slyly allusive) style that remains his hallmark.
In the fashion of many 1970s punk groups, guitarist-singer-songwriter Cobain set powerful rock against sarcastic, allusive lyrics that explored hopelessness, surrender, and male abjection ("As a defense I'm neutered and spayed," he sang in "On a Plain").
A masterclass in minimalist hip-hop production and allusive lyrics that were, according to Divine, "a combination of scripture, street slang and psychology", the album picked up from where he left off on his debut, adding in the science fiction elements that he would further explore on Def Mask.
Its most obvious defining feature, though, was the way its characters talked — and, looking back, its most lasting legacy may be that it introduced a relatively wide audience to what we might now safely call the Sorkin Sound: lightning-quick, repetitive, emotionally supercharged, culturally allusive banter that tornadoes into a spiral of stagey one-upmanship.
