Sentence examples for all kinds of plot from inspiring English sources

The phrase "all kinds of plot" is correct and usable in written English.
It can be used when referring to various types or categories of plots in storytelling, literature, or film.
Example: "The novel explores all kinds of plot, from romance to mystery to adventure."
Alternatives: "various types of plot" or "different kinds of plot".

Exact(1)

The Suns-Lakers game on Sunday gave us all kinds of plot twists, from Kobe Bryant's 49 points in the Lakers' loss to Shaquille O'Neal's flashback to his years of greatness.

Similar(59)

"Morgan had all kinds of escape plots," another prisoner later told the C.I.A. Morgan worked to regain his strength.

Over the years, crime writers have conjured up all manner of evil-doers (who is more terrifying than the fictional monster Hannibal Lecter?), all kinds of insoluble plots (did you solve Agatha Christie's And Then There Were None?) and psychological thrillers that confound most people's imaginations (the recent novels Gone Girl and Defending Jacob spring to mind).

The outrageousness of seeing all these images together made a kind of plot against the fake happiness, but at the same time also against the fake sadness our society is proposing to us.

The article goes on to detail a future where "small pilotless aircraft packed with sensors and detectors of all kinds to plot enemy positions, measure forces and eavesdrop on their communications".

Editing imposes a point of view, a kind of plot.

This is what I call a "roll-around" book, that is, the author eschews any kind of plot or narrative in favor of random excursions across the landscape.

His book narrates a single fire season, that of 2009, from the snows of April to the "blessed indolence" of August, one chapter devoted to each month, a structure that gives the book a kind of plot.

It can develop any kind of plot, or little or no plot, and can involve any characters, real or imagined.

Finally, the film crumples with a shower of sparks into a forest fire of melodramatic absurdity, with all kinds of violent lurches and plot entanglements.

(In a hilarious couple of pages, she describes a 19th-century school text of a play by Plautus in which the character of "the pimp" was changed to "the merchant", with all kinds of unforeseen consequences for the plot and the poetry).

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