Sentence examples for all forms of desire from inspiring English sources

Warning against "the forces of aggressive liberalism," the letter said, "The church will not be swayed from its position of not accepting such anti-Christian phenomena as the recognition of same-sex marriage, freedom of expression of all forms of desire, uncontained consumerism and the propaganda of permissiveness and decadence".

She could hear, though, his voice thick with an excitement that she recognized as belonging to the first phase of infatuation, when even speaking about your lover, saying ordinary things about him or her, is a form of desire.

In Buñuel's work, sex and perversity are inseparable; the more orderly and respectable forms of desire are as likely as any to be perverse and dangerous.

Two distinct forms of desire — the carnal type and the kind that involves granite countertops — have been known to intermingle, but perhaps never more so than now.

Mr. Dreyfus and Mr. Kelly admire Dante's focus on the saving power of various forms of desire, but find that his ultimate emphasis on the overwhelming bliss of contemplating God "makes all other earthly joys irrelevant".

And in the meantime, Tillman's fictions tend to be (to steal a line from one of her stories) as "outrageously ineffable, obdurate and evasive" as the forms of desire they describe.

Warhol was fascinated by these promises of egalitarian individualism and mobility, which could be profound and deceptive, generative and paralyzing, charged with strange forms of desire.

For some Buddhists, the "substantial" character of this capacity seemed to imply the presence in each of us of a "true self"—not the egoistic self that appears as a function of ignorance, habit formations and craving forms of desire, and that is dissolved through Buddhist training and the realization of no-self (anatman), but rather an unassailably aware core of being-present.

Drawing on recent research conducted in Dhaka city on changing understandings of sexuality among students, workers in the garments industry and self-identified sexual minorities, Siddiqi examines the local realities of identity politics as they manifest in debates over the naming of male, and particularly male-to-male, sexualities and forms of desire.

The figure of Nosferatu in that light becomes readable as a grotesque and frightening form of desire, a version of the awakened or indulged wish that's both irresistibly powerful and pestilentially dangerous.

Women may not, in fact, have an innately narcissistic form of desire, but may be offered only the position of narcissism by the visual culture that is called upon to evoke desire.