The phrase "alive characters" is correct and usable in written English.
It can be used to describe characters in a story or narrative that feel realistic, dynamic, and engaging to the audience.
Example: "The novel is praised for its alive characters, who each have distinct personalities and motivations that draw readers in."
Alternatives: "vivid characters" or "dynamic characters".
Kyazike herself is one of the most alive characters I have come across in any novel; she must be read to be believed.
Ms. Garai and Mr. O'Dowd are capable, though they can't really bring alive characters who, in being squeezed from novel to screenplay, have taken on the feeling of literary constructs.
All this -- the tawdry aura of literary celebrity, the genuine authority of the great writer, the shameful physicality of the old woman -- combines to make Costello one of Coetzee's most layered, elusive and formidably alive characters.
The only fully alive character is the long-suffering Kate, a quarrelsome woman with a mean tongue.
Tintin" illuminates the painstaking process of how digital paint is applied to Tintin actor Jamie Bell; how Daniel Craig morphs into villainous Sakharine; and how effects veteran Andy Serkis (Gollum in the "LOTR" pics) becomes rum-fueled Captain Haddock, the film's warmest and most alive character — a performance that warrants some new category at the Oscars: best performance in a mo-cap role.
In 2005, she was described as his favourite Dead or Alive character by James Mielke from 1UP.com.
He notes that "newbie Toby Regbo might easily be Mr. Nobody's most "alive" character.
He's a tremendously alive character, at once erudite and impulsive, lucid and crazy; but it's the anthropological monograph on Jewish Chicago -- a world I know intimately as the second-generation child of Chicago Jewish immigrants -- that I find so engrossing.
Instead they are simply those in which the actors bring alive the characters as human beings who might once have lived, who might live among us now.
This was Disney's model for keeping alive the characters of successful films, and the expectation was that both the cost and quality would be lower.
But Jude Law and Nicole Kidman, as sweethearts who have barely met when the war carries him off, come only half alive as characters.
