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It lacks the central killer punch of Alien: it doesn't have its satirical brilliance and its tough, rationalist attack on human agency and guilt.
When the National Society chose Michael Haneke's "Amour" as Best Picture, its foreignness didn't come off as alien: it was on the shortlist for the Oscar for Best Foreign Language Film and had already won a glut of awards from other critics' groups.
Because there are, in fact, no Aliens and since, by hypothesis, no actually existing thing could have been an Alien, it of course follows for the strict actualist that there are, in fact, no singular propositions that are in any sense about merely possible Aliens or "vestiges" of some ilk that play their role.
However, the more of the meat I ate, the more alien it seemed.
I choose the object myself: the more alien it is to their subjective processes the better.
"New York was alien — it was like Sodom and Gomorrah to them".
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The aliens, it seems, returned the wrong tape to Blockbuster.
Even UFO could at moments find compassion for the aliens it more usually destroys.
The Monsters Are Due on Maple Street isn't just about aliens; it's a plea for communal tolerance.
"But although it's quite likely this star's strange behaviour is due to nature, not aliens, it's only prudent to check such things out".
Before aliens, it was angels, ghosts and spirits.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com