The phrase "agencies performance" is not correct in written English.
It should be "agency's performance" if referring to the performance of a single agency, or "agencies' performance" if referring to the performance of multiple agencies.
Example: "The agencies' performance in the recent evaluation was commendable."
Alternatives: "performance of the agency" or "performance of the agencies".
President Bush's $2.13 trillion budget plan assesses government agencies' performance and, in part, links their financing to the grades.
The agencies' performance thus far is shaping up be to a classic study in why it does not pay to play it safe.
A1 Analysis of a Terror Cell An F.B.I. account of the Sept. 11 plot was released by the joint Congressional committee as the officials in charge of counterterrorism operations at the C.I.A. and F.B.I. defended their agencies' performance.
The day after Mr. Bush made his announcement, Prime Minister Tony Blair of Britain announced that his government, too, would conduct an independent inquiry into the intelligence agencies' performance.
"We certainly have a full agenda with our 9/11 investigation" of the intelligence agencies' performance, Ms. Pelosi said, adding that the information should also go to the Judiciary Committee.
But Mr. Tenet, who had never managed a large organization before being chosen director of central intelligence in 1998, and who has had to struggle with severe limitations on his authority, acknowledged that the agencies' performance on Al Qaeda had been marred by shortcomings.
Courts evaluating preemption claims should consider actual agency performance as well as theoretical institutional competence.
"Because successful performance management can reduce the need to remove an employee, removal data is not a good measure for agency performance management metrics...
The last comparable effort to measure foster care agency performance peaked in 1984, when the city's foster care population declined to 16,230.
This article reviews developments in cybernetics from the 1940s to the present, focusing on the most radical threads, those that foreground key questions of agency, performance, and emergence.
