The phrase "ageing queen" is correct and usable in written English.
It can be used to describe a woman, often in a context that highlights her age and possibly her status or personality, typically in a humorous or affectionate manner.
Example: "The party was filled with vibrant characters, but the ageing queen stole the show with her witty remarks and charm."
Alternatives: "mature diva" or "seasoned queen".
Australia is getting a new $5 banknote with more colours, more flowers and a barely ageing Queen.
As Prussia began to dominate Germany, the ageing queen continued to fret over the marriages of her grandchildren – all those oyster-eyed Victorias, Alices, Arthurs and Alfreds – who were to be sent out in a second wave to the four corners of Europe, carrying their fateful cargo of haemophilia, porphyria and sound constitutional principles.
The monarchy, increasingly focused in a celebrity culture on the person of the ageing Queen, is whatever we each make of it – good or bad.
Although again directed by Shekhar Kapur and starring Geoffrey Rush - the nearest thing to a regular Blanchett collaborator over the years - Elizabeth: The Golden Age is a very different beast, not only in its depiction of an ageing Queen but also in its knowing jokes about potatoes and its Spanish Armada CGI battle scenes.
The ageing Queen did not trust her relatives and the Royal Household to look after the Munshi after she was gone, and so sought to secure his future.
And at the moment the Tudor dynasty is particularly in vogue: Helen Mirren won an Emmy last year for playing the aging queen in HBO's "Elizabeth I".
With his dyed, seemingly lacquered hair and rouged cheeks, Falk had struck Bruno as much older than sixty, an aging queen with everything to conceal.
An aging queen with a working knowledge of poison plays a major role in the jockeying for the throne, but even she must bow to the dictates of providence.
While still a young man, Essex succeeded his stepfather, Robert Dudley, earl of Leicester (died 1588), as the aging queen's favourite; for years she put up with his rashness and impudence, but their relationship finally ended in tragedy.
4 15 P.M. (Sundance) ORLANDO (1993) A beautiful young nobleman (Tilda Swinton, above) adored by an aging Queen Elizabeth I (Quentin Crisp) falls asleep one night in the 17th century and wakes up five days later as a woman.
Essentially a vehicle for Frank Sinatra — captured at his creative height, as he was recording his great series of concept albums for Capitol Records — the film rather cruelly casts Ms. Novak as a budding young showgirl against the aging queen of the Columbia lot, Rita Hayworth (all of 39!), as rivals for the dubious affections of Sinatra's low-rent nightclub singer.
