The phrase "age of technical" is not correct in English.
Did you mean "age of technology"? If this is the case, you can use this phrase to refer to the current era characterized by rapid advancements in technology and its impact on society.
Example: "We live in an age of technology where innovations shape our daily lives and work environments."
Alternatives: "era of technology" or "technological age".
In an age of technical wonders, Nintendo's only competition in innovating personal electronics is Apple.
Now, we are seeing a new type of structure that perfectly embodies the 21st-century age of technical ingenuity and extreme inequality.
I advance a reading in support of aura that challenges the canonical "The Work of Art in the Age of Technical Reproducibility" (1940) of Benjamin.
In consequence the artist has become over-concerned with his material (hence an age of technical experiment), and, in isolation, has busied himself with the two principal themes of modernism, mystification and outrage.
Even in an age of technical directors, directors of football and megabuck owners who make managerial decisions, clubs are more likely to succeed if there is a powerful football person in complete charge of team matters.
And journalists have had to think about their own obligations — to the law, the Constitution, their readers, and even, in the practice of reporting in the age of technical tracking, to sources they might expose or make vulnerable.
These effects are especially relevant for the elderly because of both the life-cycle profile of wages and the potential age bias of technical change, as new technologies or forms of organization may affect negatively the employability of older workers.
Chock-full of timely meditations on what it is to be a body and an embodied self in an age of ubiquitous technical mediation, Throughout is the richest sort of lode.
His essay on 'The Work of Art in the Age of Its Technical Reproducibility' remains a major theoretical text for film theory.
The first may be traced through a linked series of essays of which 'Surrealism: The Last Snapshot of the European Intelligentsia' (1929), 'Little History of Photography' (1931), 'The Work of Art in the Age of its Technical Reproducibility' (1935 9) and 'The Storyteller' (1936) are the most important.
An important consequence of this dependence, however, was the editorial revisions to which key essays in which Benjamin developed his materialist theory of art were subjected, such as 'The Work of Art in the Age of Its Technical Reproducibility' and those on Baudelaire and Paris that grew out of The Arcades Project.
