The phrase "age of augmented" is correct and usable in written English.
It can be used to refer to a period characterized by the integration of augmented reality or augmented technologies into daily life or various industries.
Example: "We are now living in the age of augmented experiences, where digital information enhances our perception of reality."
Alternatives: "era of augmentation" or "period of augmented reality".
"Privacy in the Age of Augmented Reality".
He called this idea a new age of "augmented reality," where computers work for us.
But as the age of augmented reality approaches, Facebook will need all the cred with developers it can get.
During a keynote at the IFA in Berlin, Eric Schmidt topped off presentations on Voice Powered Search, Street View Search and Google TV by emphasizing how much Google values being fast and that current technological advancements are nearing the realm of science fiction, or what he called, "The age of augmented humanity".
In this age of augmented reality and autonomous vehicles, the mesmerizingly lifelike movements of strandbeests are powered by the wind or a gentle push.
The result of this experiment showed the types of hypotonic solution do not have significant interactions with larval age to augment the number of metaphase chromosome spreads in zebrafish.
In the MPI118Q/118Q cerebellum, these changes were initiated before 5 weeks of age and augmented at 8 weeks of age (Fig. 3B and C).
In terms of the socio-demographic profiles of those selected, only older age weakly augmented the selection of graduates likely to ultimately work in a rural destination.
In terms of the socio-demographic profiles of those selected for medical school entry from secondary school, only older age weakly augmented the selection of graduates likely to ultimately work in a rural destination.
We found an increase in NA-induced vasoconstriction in hypertensive rats compared to normotensive age-matched controls and aging augmented further the noradrenaline-induced contractions of femoral arteries in SHR.
The show features the eleven paintings that the Met owns by Hals — the dashing portraitist of Haarlem gentry in the Dutch Golden Age — augmented by two striking paintings on loan and apposite works by some of his contemporaries.
