The phrase "age museum" is not correct and does not convey a clear meaning in written English.
It may be intended to refer to a museum focused on a specific age or period, but without additional context, it is ambiguous.
Example: "The age museum showcases artifacts from the medieval period, allowing visitors to explore the history of that time."
Alternatives: "historical museum" or "period museum".
The Art of the Americas, as a multicultural category, didn't exist in the late Victorian-to-Gilded Age museum of my youth.
Mammoths are most prized and can fetch large sums of money, and many of the specimens end up not only in the Ice Age Museum in Moscow but also in the United States and South Korea.
Fossil remains of the nearly extinct California condor have been found in New York state, the first sign that the giant vulture lived in northeastern North America during the last Ice Age, museum officials said.
In a global age, museums such as the British Museum or the Metropolitan Musem in New York or the Louvre have a certain parallel to the great Alexandrian library that drew to itself the tangled threads of antique civilizations during the early period of Hellenistic "globlization".
"In an ever-connected age, museums occupy an important place as a significant local resource as well as an important cultural resource to a global community".
For example, a building complex in a seaside village that has the appearance of a mountain range, a behemoth space-age museum hides in the middle of the Gobi desert, or an amorphous structure that floats above the city's highest peaks creating a new level of terrain altogether.
While Club Concorde publicly stated it wants to get a Concorde in the air by 2019, the fact remains is that all of the Concordes are aging museum pieces.
This study concludes that molecular differentiation between resins from different species is still possible after a hundred years of aging in a museum environment and demonstrates the potential of resin analysis on such aged museum items.
One begins to wonder whether we are now living in the age of museum violence, an age in which museums devoted to various forms of coercive and destructive power (genocide, crime, militarism, mafia) are absorbing the limited reserves of attention span among audiences that might spend time indoors learning about complicated subjects.
This is a sobering point in an age of museum expansionism.
A golden age for museum design has not been universally welcomed in the art world.
