The phrase "after choreography" is correct and usable in written English.
It can be used to refer to events, actions, or discussions that take place following a choreographed performance or session.
Example: "The dancers gathered for a discussion after choreography to review their performance and share feedback."
Alternatives: "following the choreography" or "subsequent to choreography".
11 30 p.m. Monday DANCE AFTER CHOREOGRAPHY, a film series, at Anthology Film Archives, 32 Second Avenue, at Second Street, East Village.
"Untitled (Prayers) 1996-2007," the first of Performa 07's "Dance After Choreography" programming, places Ms. Cool in an austere environment.
[One specific scene that was cut after choreography and filming was a number in the first season featuring Chris Colfer and the Cheerios].
The same compère could have pointed out how the famous pas de deux from "Swan Lake," Act II (in a version correctly described in the program as "after" Lev Ivanov's choreography), is a late-Romantic variation on the original "Sylphide" idea.
The work was performed solely to a percussion accompaniment that was added after the choreography had been completed.
"If you're a dance choreographer and don't know anything about skating, you have the advantage that you don't have any preconceived ideas about what skating should be like," he said by phone from Hong Kong, after a choreography assignment in Malaysia.
We would usually put the music into the mix after the choreography was already shaped and find the dancers' natural timing to synchronize all the elements.
Rooney got into choreography after a school production of West Side Story and, after years of training as a dancer, got his first job as an extra on the television series Fame.
And then comes "Coppélia," by Balanchine and Alexandra Danilova, after the Petipa choreography.
But it was evident, early on in this opening piece, that Ms. Yatkin is after more than choreography.
The Ailey troupe has given him mass exposure, but "Grace" did not emphasize the exceptionally curved fluency that he introduced into his choreography after his visits to Africa.
