Sentence examples for affix to objects from inspiring English sources

But under the uninviting skin there's an honest depiction of the ebb and flow of a long-term relationship between two people whose passions affix to objects other than each other; who remain co-dependent, if distant; and whose often queasily frank interactions (played out in unforgiving single takes) seem utterly genuine and not a little uncomfortable.

It's fitting that I write this from New York; it was here between 2009-2010 that Joshua Glenn collaborated with writer Rob Walker from New York Times Magazine to test his theory that affixing narratives to objects may increase their economic worth.

From 1961 Johns began to affix real objects to the surface of his canvases.

Johnson began to affix ruined objects to his abstract paintings in the aftermath of the notorious 16th Street Baptist Church bombing in Birmingham, Ala., a crime so awful that it galvanized the nation.

You will eventually use another wire through the three hooks or loops to affix to a tree or other object from which you will be hanging your bird bath.

"An endless belt for arraymof exercise throughll is made of a rubber like material holesg interwoven a fabric of fine steel mesh or nylon fabric leaving a smooth finish at upenetratingwer extremity over entire length and width thereof.

An oversight, that, but one that you can fix – Sensible Object will release a "maker" edition of the game, with a set of tags that players can affix to anything they like at home.

Affix to your display.

Unlike barcode technology that detects the optical signals reflected from barcode labels, RFID uses radio waves to transmit the information from an RFID tag affixed to the physical object.

As photographic technology advanced — with roll film, lighter cameras, and long shutter releases — it became possible to affix cameras to unmanned flying objects.

In less than an hour, they saw such works as Ana Mendieta's "Silueta: Works in Iowa," a collection of sculptures made of rose petals placed on swaths of cotton wrapped around prickly rose stems, and Claudio Matzko's "River of Tears," hundreds of spoonlike copper objects affixed to the wall.