The phrase "affects version" is not correct and does not convey a clear meaning in written English.
It may be intended to describe how something influences or changes a particular version of something, but it lacks clarity and context.
Example: "The new update affects version 2.0 of the software, introducing several important features."
Alternatives: "impacts version" or "modifies version".
A good reason to always stay updated to the latest versions of iOS; YiSpecter, for instance only affects versions of iOS 8.3 and older, and can only take hold if users download apps from untrusted sources outside the App Store.
It earned him a spot at the Michael Jackson tribute concert in July, playing an affecting version of "Human Nature".
Jonathan Miller's somber and affecting version of Debussy's great turn-of-the-century opera has returned to the Met with a marvelous American and English cast.
Much of his new album goes back to that era, although there is also a jazzy, affecting version of Nick Drake's River Man sung by Boy George.
The Gateway production has chosen not to follow his lead, but has developed a pure, straightforward, affecting version of this classic show.
This is a deeply affecting version of the Achilles story: a fully three-dimensional man – a son, a father, husband and lover – now exists where a superhero previously stood and fought".
He's a pianist as well, and after accepting his award he played an affecting version of "Pennies From Heaven," with Mr. Marsalis joining him on trumpet in the final chorus.
"PELLEAS ET MELISANDE". Jonathan Miller's somber and affecting version of Debussy's great turn-of-the-century opera has returned to the Met with a marvelous American and English cast.
Backed by musicians including Ashley Hutchings and Simon Nicol, founder members of Fairport Convention, the band with which she found fame, Wainwright gave an affecting version of one of Denny's most enduring tracks, Who Knows Where the Time Goes. "I'm a huge fan of folk music.
The most affecting version that I have ever seen of this epochal comedy of discontent, Richard Nelson's soft-spoken, self-effacing interpretation — with a devastating Jay O. Sanders in the title role — demanded that we lean in and really listen to Chekhov's forlorn characters.
