The phrase "affective elements" is correct and usable in written English.
It can be used in contexts discussing emotions, feelings, or psychological aspects related to a subject.
Example: "The study focused on the affective elements of consumer behavior, examining how emotions influence purchasing decisions."
Alternatives: "emotional components" or "feeling aspects".
The scaffolding service provides the learner with metacognitive prompts; affective elements are realized by an integrated affect reporting tool and affective prompts.
Factoring the most affective elements into a tangible product is the core of Kansei design.
The affective elements included the students' readiness and motivation to learn; the cognitive characteristics included the prior understandings the students possessed before they entered the classroom.
Studying these works—all three deeply embroiled in and enabled by science and technology allows him to focus on practice through the experiential and affective elements of creation.
Such affectations are expressed in prayers recorded in various religions and particularly in the book of Psalms in the Bible, but they do not explain the recourse to prayer itself, which is explained by a motivation deeper than affective elements.
As such the dialogue is open and unrehearsed, with Henry prepared to give account at any point, and prepared to wrestle with the affective elements of the complex social environment.
In LA Noire the affective element of EI is missing, but Machiavellianism and recognition of betrayed facial emotions are very much in evidence.
Breathing is a subjective experience that includes physical sensations, such as effort to breathe, and an affective element, such as breathing distress.
The goal of the investigation is to examine perceived interactivity in a model which includes most commonly tested cognitive elements such as efficiency and effectiveness, but augments this model with the inclusion of a cognitive affective element for trust, and an affective element of enjoyment.
The problem for aesthetics to-day is the reassertion and defence of the classical as against romanticism: the synthetic, formal theoretical element which is the proprium of art, as against the affective element which it is the business of art to resolve into itself, but which to-day has turned against it and threatens to displace it.
However, a problem arises here insofar as Marcel has insisted on an affective element in disponibilité.
