Sentence examples for aesthetic variation from inspiring English sources

There is some aesthetic variation within Silicon Valley Sand Hill Road offices have hardwood floors and corporate art on the walls, San Francisco offices have exposed-brick walls and open workspaces but everybody is intense, casual, sleep-deprived, and preoccupied with launches of companies and products.

There is some aesthetic variation within Silicon Valley — Sand Hill Road offices have hardwood floors and corporate art on the walls, San Francisco offices have exposed-brick walls and open workspaces — but everybody is intense, casual, sleep-deprived, and preoccupied with launches of companies and products.

'Plastic rectangle' is basically the common starting point for any and all devices in this category, but Kobo distinguishes their device with some solid ID, including an asymmetrical, 3D pattern on the back that offers subtle but significant aesthetic variation.

It's like an aesthetic variation on the notion of a family tree, with thin, bent metal rods reaching, branch-like, to support keepsakes.

If you're looking to rock a QWERTY Windows Mobile device, the Touch Pro's a solid pick – with the main differences between the AT&T and Sprint handsets being aesthetic variations (well, besides the GSM/CDMA radios inside), we'd wager the Fuze isn't too bad either.

Moreover, we were able to distribute the cross curvature with log-aesthetic variation along the isoparametric curves.

This approach contributes to a better understanding of the cross-regional variation of aesthetic and recreational values and how these values relate to characteristics of the agricultural landscape, which could support the integration of cultural services in landscape policy.

Recommendations include: modifying policies to better reflect the preferences of landowners and society, studying buffer systems at the watershed scale using multidisciplinary approaches, and designing buffers that consider aesthetic preferences and regional variation.

Likewise, variation in aesthetic quality among different individual Stop signs has no bearing on their meaning or function; we don't just stop for the pretty ones.

In this paper, we propose "minimum variation log-aesthetic surface" as a new formulation for the log-aesthetic surface.

Victimhood, in this series, is not merely a philosophical idea or a psychological identity, but also a condition open to variations of aesthetic style.