The phrase "aesthetic texture" is correct and usable in written English.
It can be used when describing the visual and tactile qualities of an object or artwork that contribute to its overall beauty or appeal.
Example: "The artist focused on creating an aesthetic texture in the painting, making it visually captivating and inviting to touch."
Alternatives: "visual texture" or "artistic texture".
Experimental results indicate that the hierarchical feed-forward layer model of aesthetic texture perception proposed in our research can link computational texture features with aesthetic texture properties quite well.
At times, the ideal side of the film and its cinematic side separate, and the gaps register as flaws in the aesthetic texture, letdowns in artistic energy.
After conducting semantic differential rating experiments, we model the relationship between low-level texture features and aesthetic properties involved in human aesthetic texture perception.
Its dark apocalyptic ambience, its unearthly syntax and diction — plus its central theme, of the dilemma for an artist who must kill his subjects in order to portray them — gave Zal's journey an aesthetic texture.
Its dark apocalyptic ambience, its unearthly syntax and diction plus its central theme, of the dilemma for an artist who must kill his subjects in order to portray them gave Zal's journey an aesthetic texture.
The beauty of the compositions in "Children of Hiroshima" — the clarity of focus, the graceful balance within the frames — provides some relief from the grimness of his subject, though the film's aesthetic texture also undermines the political message that Mr. Shindo's sponsors hoped would come through.
As Nabokov does in his memoir, Speak, Memory, so Amis buries his patterns deep in the aesthetic textures of his book.
The French aesthetic favors lightness, texture and surface beauty; the German is concerned with rigor, depth and structure.
For all its occasionally unfinished look, Jobson's aesthetic concern for texture and light is very impressive, and McKidd gives an outstanding performance.
As a designer, I'd expected her to talk about the aesthetic importance of texture and colours, but she said that in order to fully appreciate different materials, you need to know that behind the texture there are nanostructures, and behind the colour there's the chemistry.
It's sold on aesthetic appeal, color and texture, and when people turn up at the curbside, they're looking at the beauty of the house before them," much of it in the bricks.
