The phrase "aesthetic support" is correct and usable in written English.
It can be used in contexts where you are referring to assistance or reinforcement that enhances the visual appeal or artistic quality of something.
Example: "The designer provided aesthetic support to ensure that the final product was not only functional but also visually appealing."
Alternatives: "visual enhancement" or "artistic assistance".
Riding the rails or providing aesthetic support for the nine-city Station to Station tour are, among others, artists Chris Ware, Dara Birnbaum and Raymond Pettibon, with musicians Ariel Pink, Thurston Moore, Twin Shadow, the Handsome Family and others offering accompaniment.
It also sought to study user's requirements and choices on the aesthetic and support features of the X-Space design through focus group interview with 11 eLITE (e-Learning Implementation Team) members comprised of a cross-section of the university faculty members.
Shostakovich, a fellow aesthetic dissident, supported her detour from the officially sanctioned music paths.
"I don't support aesthetic terrorism".
It discusses how to make decisions about placement in keeping with aesthetic principles while supporting use.
The competition called for low-energy, high aesthetic architectural designs supported by energy simulation analysis for a variety of building types in Holyoke, Mass.
The notion that the urge to splurge is fundamentally defensive death denial above and beyond the quite legitimate pursuit of material comfort and aesthetic pleasure is supported by both the historical record and contemporary empirical research.... Could the American Dream actually be just another psychopathological form of death denial raised to the level of civic virtue by cultural ideology?
(He also writes that my post is "exactly symptomatic of what is wrong with the indie sector and the aesthetic consensus that supports it"; it's true that there are some films that sell grimness as others sell cheer, but they're not the distinctive province of any one industry sector, whether independent, studio, or foreign).
Gadamer's opposition to aesthetic idealism is supported by the claim that art "cannot be satisfactorily translated in terms of conceptual knowledge" (RB 69).
"The neural systems supporting aesthetic reactions... are largely conserved from person to person," the trio wrote, "with the most moving artworks leading to a selective activation of central nodes of the DMN (namely, the aMPFC, but also the PCC and HC) thought to support personally relevant mentation".
The hypothesis that the progressive change towards more vertical positions is not mere virtuosity or display a dancer's maximal performance ability but rather reflects changing aesthetic choices is supported by the finding that this trend is quite general.
