The phrase "aesthetic status" is correct and usable in written English.
It can be used when discussing the visual appeal or artistic value of an object, concept, or work of art.
Example: "The aesthetic status of the painting was elevated by its vibrant colors and intricate details."
Alternatives: "artistic value" or "visual appeal".
Surveillance has a special aesthetic status.
It gave art a new and different power, as a critical alternative, even an agent of resistance to a prevailing ideological and aesthetic status quo.
Franz West's "Liege" makes the analyst's couch a work of art; a metal skeleton of a divan placed on a pedestal with a wall-mounted invitation to the viewer to confirm its aesthetic status by lying on it.
English garden sculpture rarely achieved any particular aesthetic status, but in 18th-century Germany and Austria lead was used for more serious sculpture by a group of artists of high standing.
Reigning over sound stages, stooges, and starlets, cigar chomping movie moguls, from Zukor to Zanuck, the legend holds, stuck to the cultural, political and aesthetic status quo.
Without knowing it, the child resuscitated an ancient civic and aesthetic controversy -- a standoff, really, between the civic impact of graffiti and its artistic status.
He is best known, however, for his work in aesthetics, particularly on the ontology of the work of art and the status of aesthetic values, and is credited with being the founder of phenomenological aesthetics.
Not many Brazilians or Dutch will reflect with much fondness, which given their status as aesthetic football nations is revealing.
They embrace close readings of the poets Rilke and Celan as well as broad strategic manoeuvres which defend the cognitive status of aesthetic and hermeneutical judgements.
To achieve efficient and economic documentation of preoperative and postoperative status in aesthetic and reconstructive plastic procedures, the mirror system described here permits the required planes to be documented in a single photograph.
This type of tourism was depicted as essentially a passive, civilizing experience in which participants affirmed their aesthetic sensibility and social status by admiring the view of lake and mountains from boat decks and hotel verandahs.
