Sentence examples for aesthetic representations from inspiring English sources

Steve Bachmann, on his book Simulating Sex: Aesthetic Representations of Erotic Activity pointed out that "perhaps one of the most interesting aspects of Madonna's sexual phenomenon is the extent to which her book marked a new threshold in the pornographic franchise".

John Murello's digitally scanned image "Yesterday 200505) is an exquisite, purely aesthetic representation of dried, crinkled old leaves, the shapes somehow reminiscent of the buff torsos of ancient statuary.

McIntire convincingly portrays a man in the grip of an idea and an ideal — he knows that rock and roll is the future, he has impeccable taste, boundless energy, and a harnessed hedonism that finds its aesthetic representation, and he throws the weight of his formidable character behind the music he loves.

It resists privileging any single discipline of knowledge, preserving a multiplicity that implicates truth in the problem of aesthetic representation.

Thus, aesthetic representation always remains connected to a possible "evocation" of reactions of a human subject (GW 11: 438).

Heidegger seems to mean us to take his words seriously: Aesthetic representation now possesses "a conceptual machinery which nothing can stand against".

It is true that for Heidegger Van Gogh's painting is not wholly representational and should not, in the end, be understood representationally but this is because it really represents the nothing, and does so in a way that exceeds and so transcends aesthetic representation from within.

I'm also currently working on a visualization of game narrative that combines an aesthetic representation of game logic with a neat exploration of how games are made.

She specifies, however, that literature is the most effective mode of aesthetic representation, arguing that its ability to illustrate the specific circumstances and problems of people in the world makes literature an especially rich contribution to the "curriculum for world citizenship".

This illuminates Kant's concern in the Transcendental Aesthetic with our representation of space: considering that representation in particular allows Kant to tackle other conceptions of the relation between space and intuition.

Strong artistic temperaments resist, and that's what matters — but an ambient aesthetic of complacent representation is one of the things they have to resist, and it's worth noting that the foreign films represented here are also the most fiercely defiant of familiar codes and modes of naturalistic so-called storytelling.