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In the notion of breaking down the barrier between the public and the private — of bringing the most intimate concerns into the public arena, and breaking the codes of social conduct to allow for the most brazen confessions — Rouch and Morin offered a methodical, theoretically ingenious, and amazingly powerful aesthetic precursor to the social revolution of May '68.
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In previous aesthetic literature, the "aesthetics of nature" refers exclusively to human aesthetic experience of nature without consideration of the possibility of aesthetic agency of non-human organisms.
(J. K. Huysmans's 1884 perverse-aesthetic novel Against Nature is a precursor of this mode).
Andriessen's fusion of Stravinsky, minimalism, and a proletarian spirit was a major precursor to the hard-edged Bang on a Can aesthetic; in 2011, he told the Times that "of the founders of Bang on a Can, Julie looked the most quiet and polite, but her music was actually the sharpest and most aggressive".
Surely it is a precursor to present-day claims about the dependence e.g., the supervenience of comparatively evaluative aesthetic qualities on comparatively descriptive aesthetic qualities.
There were precursor chemicals.
Radical precursor of modernity.
John the Precursor".
That's aesthetic.
"It fits my aesthetic".
I'm very aesthetic.
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CEO of Professional Science Editing for Scientists @ prosciediting.com