The phrase "aesthetic necessity" is correct and usable in written English.
It can be used when discussing the importance of beauty or artistic considerations in a particular context, such as design, art, or architecture.
Example: "In modern architecture, the integration of natural light is often seen as an aesthetic necessity that enhances the overall experience of the space."
Alternatives: "artistic requirement" or "visual imperative".
The choral finale of the Ninth Symphony grows from the fertile soil of its predecessors and becomes a structural, thematic, and aesthetic necessity.
As both a demographic and aesthetic necessity, the concert lingered in the boomer zone of electric blues, insisting that the style isn't nostalgia.
College, in most media, is depicted as this quintessential aesthetic necessity: it's perpetually fall until Christmas, and then fall again, and somehow no one has any classes to really worry about.
Rupture and conflict are aesthetic necessities: they turn the broken home into "The Broken Home," Merrill's great poem about his childhood.
Yet what's especially strange is that such conspicuous consumption takes its cues from an age of austerity, its aesthetic born of necessity, not excess.
Much of this was triggered by clashes between standard retrofit solutions and heritage or aesthetic values, economic necessity, or building professionals׳ lack of knowledge or experience.
For Anderson, YouTube illustrates the principle that Free removes the necessity of aesthetic judgment.
Though Ms. Pitt opened a home salon out of necessity, the apartment aesthetic is now part of the hook.
Its expensive materials - hand-cast bronze beams, travertine stone, darkened glass - make clear that this austerity is a matter of aesthetic choice rather than economic necessity.
New York City's administrative code states clearly that "the protection, enhancement, perpetuation and use" of buildings and "landscape features of special character or historical or aesthetic interest is a public necessity and is required in the interest of the health, prosperity, safety and welfare of the people".
In 1970, Janet Malcolm wrote in The New Yorker that shopping at D/R was an "aesthetic experience rather than an irksome necessity".
