The phrase "aesthetic measures" is correct and usable in written English.
It can be used when discussing actions or strategies taken to enhance the visual appeal or artistic quality of something.
Example: "The designer implemented several aesthetic measures to improve the overall look of the product, making it more attractive to consumers."
Alternatives: "visual enhancements" or "artistic adjustments".
Such a common vocabulary should facilitate the development of cross-disciplinary models of aesthetics and create a basis for the construction of standardised aesthetic measures.
To compare clinical outcomes of enucleation and evisceration by functional and aesthetic measures.
This paper proposes a theoretical approach to capture the essence of artists' insights with 14 aesthetic measures for graphic displays.
Further form optimization was conducted on two of the stereos and the questionnaire survey indicated that their aesthetic measures increased after the optimization.
Calculations of explicit equations were performed so as to assisting in measuring the aesthetic characteristics; next, a fuzzy judgment was invoked to calculate the perceptual aesthetic measures of a product style so as to establish the overall aesthetic standard for the product.
Aesthetic evaluation [12] would also be of limited value, given that templates are rigid, so the aesthetic measures would be more dependent on the templates' design than on the content mapping itself.
Birkhoff's works include Relativity and Modern Physics (1923), Dynamical Systems (1928), Aesthetic Measure (1933), and a textbook on elementary geometry, Basic Geometry (1941; with Ralph Beatley).
Computational aesthetics can be traced as far back as 1928, when American mathematician George David Birkhoff proposed the formula M = O/C where M is the "aesthetic measure," O is order, and C is complexity.
On the final dimension i.e. Aesthetic Emphasis, I think the TUI is more functional while still looking decent but might not score too high on artistic measures.
Concurrently, aesthetic preference, measured as scenic quality ratings, increased significantly (p < 0.05) from the existing landscape through the second successive scenario of improved ecological function.
Essentially, Conceptualists and more obviously, Invisiblists give the finger to those that hold fast to the Old Art World and consider Art solely as works able to be understood through aesthetic and expressivist measures and means.
